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About Ahasverus

  • Birthday 04/23/1992

Profile Information

  • Gender:
  • Location:
  • Interests
    Industrial Engineering, Film, Literaure and Music

About You

  • Favourite Food
  • Favourite Animal
    Grey Wolf
  • Favourite Beverage
    Margarita :)
  • Favourite Colour
  • Favourite Place
    Anywhere on a foggy day
  • Countries Visited
    USA, and mine.
  • Do You Drink Alcohol
  • Do You Smoke
    Noope (... Well weed is fun once in a while)
  • Do You Have a Motto
    Haha no (Maybe literally that)
  • Do You Collect Anything
    Music :D
  • Do You Have Pets
    A pretty dog called Luna
  • Do You Play An Instrument
    Tuba and Trombone
  • Phobias
    Dark Alleys!


  • How Did You Discover Nightwish
    By accident when I was 11
  • How Many Times Seen Live?
    One, the best night ever.
  • Most Memorable NW Memory
    Listening to the 3 DPP samples again and again
  • Most Prized Nightwish Item
    The gig ticket
  • Best Live Song
    Dead Boy's Poem would kill me
  • Favourite Album
    Century Child as an album
  • Favourite Song
    Ghost Love Score, is there any other option?
  • Favourite Album/Single Artwork
    I like the "Swampborn" haha. Decades is really cool too.
  • Favourite Music Video
    The Islander is magical.
  • Favourite DVD
    Vehicle of Spirit
  • Least Favourite Album
    Endless Forms. Bleh.
  • Least Favourite Song
    Endless Forms Most Beautiful. Certified trash.

General Music

  • Favourite Music Video
    Thriller is dope
  • Favourite Drummer
    Kai "da gawd" Kajhto
  • Favourite Singer
    Tarja Turunen (circa 2003) in women, Enrique Bunbury (circa 1993) in men.
  • Favourite Guitarist
    Couldn't care less
  • Favourite Bassist
    I care even less.
  • Favourite Pianist/Keyboard Player
    Michiru Yamane
  • Favourite Non NW Song?
    Too many.
  • Best Concert Attended
    Oh come on, Nightwish was perfect.
  • Favourite Non NW Album?
    Michael Jackson's "The Essential"
  • Favourite Composer?
    Tuomas Holopainen
  • Favourite Band/Artist?
    Oh come on..
  • Musical Dislikes (Songs, Bands etc)
    Hip Hop


  • Favourite Actor/Actress
    Merryl Streep
  • Favourite Director(s)
    Christopher Nolan
  • Favourite Movie(s)
    Many, but I'd say "Vanilla Sky"
  • Favourite TV Show(s)/Series
    The Simpsons, Arrested Development
  • Favourite Movie Soundtrack
    No idea
  • Favourite Author
    Gabriel Garcia Marquez
  • Favourite Book(s)
    One Hundred Years of Solitude
  • Favourite Comic Book/Anime

Recent Profile Visitors

1,679 profile views
  1. Ahasverus

    Within Temptation II

    I didn't mean "clear" as in "natural", but in effect. How does Sharon manage to always look 10 years younger? I've been shocked about her age since about 2007 haha.
  2. Ahasverus

    Within Temptation II

    EFMB sounds really clear, but lacks "punch" and depth. It's a big step up from the prior two albums (which were more or less pure noise the moment a guitar appeared, which is a big problem in a melodic metal band) but still feels rooted in a "classic" (See: 60's, 70's) production style in which the band is there and then the vocals are up there and the background is back there. That's it, no change, no surprise, no real soundscape, just a clearer approximation to the experience of hearing the band live. Which is not necessarily a bad thing, mind you, but I feel like the music deserves more of a "surrealistic" and powerful coat of paint. In my humble opinion, WT has been the best produced band in the genre (Maybe with the exception of Ghost when they released Melliora, which is simply sublime, but they ruined themselves again with Prequelle) since The Heart of Everything, they've changed through many styles but they're always the clearest sounding band of them all. @Serena <3
  3. Ahasverus

    Within Temptation II

    When people ask Nightwish to up their production game this is what we mean. Resist sounds absolutely delicious, clear guitars, defined instruments, a very encompassing atmosphere, every drum beat, riff and vocal line is at the same time separated from one another and cohesively united. This album sounds like it came out in 2019 and it feeds from every advancement made in the sound production arts. Not to mention the electronic elements which are extremely tastefully injected giving the band a very unique, modern yet firmly rooted sound. Hats off.
  4. Ahasverus

    The Marco thread

    Count me in!
  5. Ahasverus

    The Old Era

    Dead Gardens has an awesome chorus. Yes the rest of the song is not up there (I wanna say the vocal line is not half bad however) and it's musically empty (not unlike EFMB *cough*) but that chorus is enchanting. Tarja sounds like depression itself. Like kind of cold, but about to bust. I like it. It's very dissapointing that the re release doesn't include a remaster job. I was listening to DPP these past days and while I can see the good arrangements and music going on benath, it's too damn noisy, almost unlistenable in 2019. The worst part is that even if the album somehow got remastered some day, it's likely that said job wouldn't include the four bonus tracks, which are not only about the best stuff to having come out from the album, but they REALLY need to be toned down in the noise (Whatever the hell was going on when they mixed The Heart Asks Pleasure First? I can't hear a thing, Captain). Thank God The Poet was salvaged in the decades compilation.
  6. Ahasverus

    Decades World Tour 2018

    The new wishmaster is a piece of art. I need a recording.
  7. Ahasverus

    Nightwish Off Topic

    The reunion show needs to happen for all that's good in the world, as much as she sounds awful these days, it's a personal thing. Also what if she gets some muscular memory thing or sometime going on and sings good again that one time.
  8. Ahasverus

    Nightwish Off Topic

    What the ... That's straight plagiarism. Nyman did nothing. BTW I find the NW cover the best single song of the Anette era. Sadly the mix is noisy trash, hope it gets the Decades remaster treatment one day.
  9. Ahasverus

    Decades World Tour 2018

    I love the operatic way Floor is singing the "The one in the deep blue" part on DCOW. Reminds me of Tarja, who always sang better that part. Not a fan of Floor's ol dscream. Sounds great now.
  10. Ahasverus

    Decades World Tour 2018

    Wow I'm impressed, fantastic attendance.
  11. Ahasverus

    Decades World Tour 2018

    Thank you! And see, the audience was bigger than the last time for sure. I'd say around 4000-4200. It was very close to sold out, however the most expensive tickets were, well, really expensive. I think that played against their favor (Not like our lacking economic conditions are their fault, they're a world class act after all). As an example I live relatively well off compared to, say, 65% to the people of my country and could have theoretically barely afforded the middle-class ticket at last selling phase (I bought mine in preorder which made it cheaper but airplane tickets and hotel expenses and what have you didn't allow me to go higher). I believe NW has been steadingly growing in audience numbers here due to them retaining old fans and bringing in new public. I also think they coming to another big city like, say, Medellin, would allow them to do even higher numbers. I've always wanted to attend a concert of them in Buenos Aires, Río or Mexico DF where they feel they're performing to a crowd of tens of thousands. Not because it's better, but because it'd be really interesting to see how much the performance is changed by the band-audience interaction.
  12. Ahasverus

    Decades World Tour 2018

    Aww thank you, I was hoping you personally enjoyed it. I gotta say I didn't see any fancy recording equipment. Some cameras here and there but they were very normal looking and certainly not DVD tier. Documentary tier at best. So you're probably right on that they're recording the sound, if that. Say what? I saw him entering the venue, he looked a bit ill but still looked was super excited. Aww man. I'm glad he went out with a literal bang.
  13. Ahasverus

    Decades World Tour 2018

    About last night. Last night's concert was very special. I wouldn't say it was the most perfectly played gig (I heard more false notes this time around) or that it had the most enthusiastic crowd, but it all came together in a very intimate yet solemn package. I had, easily, the best gig I've ever attended to in terms of spiritual connection, so to say, all helped by the wonderful chemistry between band and public and a, quite frankly, sublime setlist. As a bit of context about the state I was in last night; I actually don't reside in Bogota but in a far away city called Manizales at the top of Los Andes; I bought my tier C-tickets back in the day they opened the pre-sale, and did the same with my airplane tickets; that was past march I think; the thing is, my schedule had to be literally perfect: my flights were scheduled just before, and, a few hours after the concert, all of that because at the time,I thought I was gonna employed at this point and that situation wouldn't had let me take 2 days off; I actually haven't gotten a job yet by now (sadly) but choices were made, which put me into a very difficult timing situation and, after a flight cancellation risk due to literal lighting bolts falling on my home city JUST MINUTES BEFORE MY FLIGHT I was fearing the worst: To miss what was probably going to be the only bright spot in my life for the time being. However, God, Satan, Fortune or who knows who, lended me a hand and lo and behold, I arrived /just/ in time for the first Delain song. The whole thing was a rush and such my mind wasn't really ready for what was going to happen, I mean, 2 hours prior the concert I was just behind this very desk I'm typing this post from, living my normal life, in quite a moody state due to my recent break-up and stuff, but the sudden arrival of my musical idols into my living reality, and in a completely different scenery of what I'm accustomed to, threw my perception for a loop; it was, in all honesty, kind of surreal, like I had dreamed everything. Luckily I took a pic so I know I'm not schizophrenic, for now. ... OK now let's get into the music. Delain was very good; with a shorter setlist than 4 years ago (when they played for like 2 hours) and a very new album-centric repertoire, they surprised me a lot in how much they've improved. The last time I saw them they felt like one the good "starter" bands, but not now; they're confident in their music and that confidence absolutely shows on stage; Charlotte was more chatty, the guys were interacting more with the crowd and, frankly, the new material is now good enough to sustain the crowd's interest for a longer time; contrary to the last time, I feel the audience didn't want them to finish so early. In fact, at one point the guys candidly started hyping Nightwish, you know, standard opener band trick, BUT the crowd actually started chanting "Delain" instead, which made them go a bit "d'awwwww". All in all, I'm not their biggest fan, but given their newfound musical and performance quality they may have turned me into one. They didn't play Army of Dolls which was a shame but still, the new material is super solid. I'm really glad I saw them once again if only for witnessing their growth. Props to them. Now onto Nightwish. ... Where can I start? well let me say that the "feel" of this concert was very different from the last; the last time I saw them people were super excited about seeing them for the first time in 11 years, it was kind of a little miracle, the crowd was wild and more or less the whole concert turned into a glorified karaoke, definitely not helped by the super minimalistic (Read: literally three posters and a videobeam screen) stage decoration, which more or less made the band feel "small" which was kind of endearing; there's something about seeing your glorious heroes playing with a school stage aesthetic that makes them more human yet still so grandiose due to their mastery of their art. This time, however, they brought the LED screens and a more solid lighting rig which made them look absolutely more "grandiose"; granted, due to my ticket type AND the hour I arrived to the venue I was literally at the very back of the whole building lol I was literally the last person in the back, yet my visuals were pretty good for what I could have, and was able to catch the big picture a bit more; the thing is, this time it looked like Nightwish was the big band it is, which resulted in an actually more "contemplative" audience, in the sense that this time we didn't feel like they were our "pals" singing with us, no, they were above us mere mortals and we were just witnessing their world unfold before us. Pretty cool. The situation made the crowd waaay quieter than the last time, but given that the sound mix was way ahead the one in that past concert, it actually made it easier to enjoy the musicality of the band. And by God they know a thing or two about music. I don't want to review every song because NW is a very consistent band that more or less sounds the same everywhere and every time, so chances are you've already seen how they roll live through Youtube; having said that, I did prepare a quick list of comments from the live experience itself: They played End of All hope instead of DCOW which I appreciated! If some band member is reading this forum right now, I just wanna say thank you; may I mail you my doctor's bill for my ruined vocal chords though There are some songs that sound waaay better live; Elvenpath was a fantastic surprise live, super fun and energetic, so was Amaranth (seriously) and WIHAA (Seriously again). I even enjoyed I Want my Tears Back this time around! And both Gethsemane and Dead Boy's Poem can make the toughest uy in town tear up a little bit; the orchestral arrangement for Gethsemane is just wonderful, so is the one in The Devil. Some other don't really work very well, Come Cover Me is a wonderful "playlist" song but it's not a show stopper at all, Tenth Man Down fits into that category: while the new arrangement is really good and Floor gives a super solid performance, it's a song slot that could have been used for a more "punchy" song; still, I feel like its lyrical theme is quite topical so I do see value on its inclusion. Let's also say Elan would use a long vacation too for its audience reaction is, still, relatively tepid. The Carpenter: Just no. the most I can say about this one is that the recreation does honor the original... in that it's just as bland, and it sounded just like Tuomas was singing hahahaha. Troy was off tune the whole time (Which I think is the key's fault and not his, for he's a wonderful performer and his vocal harmonies were 100% on point in the other songs). The song is kinda bad. Angels Fall First would have been the better choice there. One better left for the history books. The Nemo flute, no to that too. Deep Silent Complete <3 Floor is nailing it now. I can't believe they brought that one back. It's funny how the audience just has adopted the chants from "traditional performances", like the Tarja-prompted "Heyyyy" in this song, which Floor actually doesn't do, but we still do it anyway; reminded me of that one guy in Brazil shouting out the finnish speech from Tarja in the EOAE version of The Kinslayer hahaha. Gotta say that the "key lowering" is 100% not perceptible live, like, I know The Kinslayer wasn't played in its original key but when that choir kicks in you just feel like you're listening to The Kinslayer, not some kind of bizarro cover that it might feel they're playing going from Youtube videos. Seriously guys, the live experience elevates the whole thing. Floor, somehow, managed to sound better than the last tour. How does she do it? The sheer variety and CONTROL that woman has in her voice is just breathtaking to behold. She does it all and makes it seem so effortless, wow. Vocal Highlights include Slaying The Dreamer, The Devil and Dead Boy's Poem. Her head voice has developed tremendously and she does some kind of "Enya" impersonation in some parts that is just magical. Let's hope the next album shows us what Floor is capable of. They talked to the audience in english, which truth to be told we don't understand perfectly, so it led to a very funny moment when Floor was like: "Are you enjoying the night?" - "YEAAAH" - "Do you want us to stop? - "YEAHHHH" - "Are you not feeling it?" -" YEAAAAH" - "wait, are you or aren't you enjoying this concert?" - "YEAAAAH" - . I personally lost it hahaha. Floor had this "Damn these people are dumb but cute" expression which was amusing. There's this effect brought by the screen they used where Kai is at the very center of the frame and such the imagery makes it so he's part of the whole visual thing, like popping out of a book or being at the end of a long hall, pretty cool and clever, made the whole thing feel like a fairytale. Marco is sounding way better now; his voice in WIHAA was indistinguishable from his EOAE performance which given that thing came out 13 years ago impressed me greatly. Whatever he's doing, it's working. Ghost Love Score loses a bit of punch by being played next to TGSOE because that one is exhausting for both the band and the crowd. TGSOE as you all know is not my favorite song, and this full performance only cemented that opinion; the beginning is just magical, but when the main "theme" kicks in, the song does perform a nosedive in musical quality; those first 5 minutes were ones of absolute silence and awe from the public, then it turns into a less interesting FantasMIC and the magic is all gone all of a sudden; and don't get me started on the animal sounds... sigh. I definitely think Nightwish works musically best when it's creating an ambience and not going balls to the wall trying to hammer the point around. The background video in TGSO was actually pretty cool. Floor reached a higher note in Ghost Love Score which was a surprise. I think it was off tune BUT she did it with such power that it sounded, at worst, like a dissonance. It's like she nailed us to the wall with that note; the "leave me beeeEEEE" in The Devil was amazing too. I'm not one to be floored by high notes, and her lower register is actually way better now (the improvement in Amaranth is undeniable proof) but I just wanted to comment about her extraordinary talent. OK it's time for them to seriously consider to release the orchestral arrangements of the old songs which are all super high quality, so please release that. Speaking of recordings, why hasn't Elvenjig been released? It's really, really, really good! The whole theatre was jumping up and down, like we were rats enchanted by the Pied Piper of Hamelin (More like Ireland, but you get me :P) The final applause was thunderous and I actually saw more people hugging their SOs and crying and bowing before them than the last time; It was then when I realized that the quieter audience was not a product of apathy but of contemplation, we all were just too entrapped by the music and the memories it was both relieving AND creating to do anything other but to observe and absorb. Reflexive anecdote: Out of sheer luck I had the chance to see the band boarding their bus in the hour after the concert; gotta note that I was NOT waiting for them so when they just passed in front of me I was completely starstruck. All it occurred to me was clapping hahaha and I also shouted a few "thank you"s. They were smiley all the way to the bus which was a nice gesture to fans (for they were probably tired to death). In the end they got into their bus, I started waving at them and both Troy and Marco responded my wave and also gave me a big smile which was super cute... Troy specially looked into my very soul haha. You know Troy, I'm sorry. Here, I said it, I've said a few mean things about you but the smile you gave me was one from someone who just lives through his art, and I can't help but admire such spirit. Thank you. ... All in all it was a wonderful night and I hope the band had enjoyed the gig just like we did. People I talked with after the fact were all in some kind of trance, all singing praises about everything about the concert. A closing anecdote; some people actually didn't know about the "retro" nature of the setlist and were pleasantly surprised; after the band had departed and the remaining few of us remained drinking beer and talking about the experience we just had, one girl literally broke into tears while telling us she didn't expect most of the song choices, and that by hearing the songs she used to listen to, day after day when she was a teen or so, in front of her, the band actually helped her to reconnect with her old, lost emotions. "They really are a vehicle of spirit" she concluded, in faint sobs. And I agree. ... Thank you for reading! Please don't miss the chance to see the band if you can
  14. Ahasverus

    Decades World Tour 2018

    Noooo my concert is tomorrow and sadly I'm a bit heartbroken so I'm feeling moody, I love DCOW but it's a bit too happy for me right now, EOAH was perfect haha. Nah, it's gonna be the night of my life.
  15. Ahasverus

    Decades World Tour 2018

    Super old news but I didn't know we had a Pro-shot version of Floor's Sahara. it's probably better mixed than the last DVD's so there's that too. https://www.youtube.com/watch?v=4esI0Mn1d_s